| Class | Age of Members | Affiliation | Class Criteria | Judging Sheet | ||||||||||
| Cadet | Middle | Members must attend | This class is a teaching class designed for the development of beginner level skills and fundamentals. Design should be | SAPA | ||||||||||
| School | schools that are feeder | limited to those aspects. Simple movement and equipment (flag, rifle, sabre) is the basis for this class. A floor cover | Cadet/Novice | |||||||||||
| or lower | programs to the same | is optional. Non-traditional equipment is not to be used. In order to compete at circuit championships, units must compete | ||||||||||||
| high school. | in at least one of the 2nd or 3rd weeks of competition and attend one additional competition. Promotion to Novice class | |||||||||||||
| will occur if units exceed the boundaries of this class. Performance time (minimum 3 minutes, maximum 4 minutes). | ||||||||||||||
| Cadet Class units are not recommended to attend any WGI regional or national competition. | ||||||||||||||
| Novice | Middle | Members must attend | This will serve as an entry level class for MIDDLE SCHOOL programs that are ready to explore more mature design than | SAPA | ||||||||||
| School | schools that are feeder | the Cadet Class. Equipment and movement will focus on the training and achievement of the simplest beginning skills. | Cadet/Novice | |||||||||||
| or lower | programs to the same | The purpose of this class is to help the performers grow in the elementary principles and efforts in handling | ||||||||||||
| high school. | equipment and movement. The use of additional props is acceptable (swing flags, etc.) within this class with a | |||||||||||||
| reminder to focus on full training with additional props/equipment. In the Ensemble Analysis caption, compositional | ||||||||||||||
| qualities should include logic and presentation with good connections, and flow from one idea to the next. | ||||||||||||||
| Obvious melodic line reflections will be the choice for most groups in reflecting musical structure. Focus on the | ||||||||||||||
| correctness of the basics of composition. At pulse, in-step and consistent step off’s and builds to new sets will | ||||||||||||||
| be the priorities. In General Effect, design and performance skills will be at a beginning level. As beginners, single | ||||||||||||||
| efforts and simple responsibilities will occur. Effect will be generated largely through precision and timing. Achievement | ||||||||||||||
| of simple beginning skills is the focus of this class, with some exploration of more mature skills. In order to compete at | ||||||||||||||
| circuit championships, units must attend the 1st or 2nd week of competition and at least 3 other competitions. | ||||||||||||||
| There will be NO PROMOTIONS out of this class. Performance time (minimum 3 minutes, maximum 4 minutes). | ||||||||||||||
| Novice Class units are not recommended to attend any WGI regional or national competition. | ||||||||||||||
| Scholastic | Middle | Members must attend | This class is designed for units who are competitive but not quite ready for the demands of the A Class sheets. | WGI | ||||||||||
| Regional A | School | the same high school or | Equipment and movement will focus on the training and achievement of the basic skills. Tosses use a limited variety | Regional | ||||||||||
| or higher | must have permission | of release and catch points and typically take place from a stationary position. Weapons will usually toss no higher | A Class | |||||||||||
| letters on file from all | than triples. Dimensionality is limited and phrases are often very short (16 to 24 counts) with much built in recovery | |||||||||||||
| principals as per WGI | time. Movement is mostly demonstrated by moving from place to place with a good range of gestural qualities being | |||||||||||||
| policy. | demonstrated. There is usage of simple turns and leaps from performers occasionally exploring level changes around | |||||||||||||
| the body. Performers should demonstrate good examples of body awareness (posture, line, shape, weight) with very | ||||||||||||||
| little change in dynamic qualities. Ensemble Analysis will display a beginning level of artistic effort that focuses on | ||||||||||||||
| clear staging of the elements, logical progression of ideas (horizontal orchestration) and the basic use of the design | ||||||||||||||
| elements. The triad is never completely used with the elements most often being presented singularly and | ||||||||||||||
| occasionally presented two at time. In General Effect, the concept and intent should be clear, consistent and | ||||||||||||||
| moderately developed. Ideas should move successfully from one to another and the intent of the concept is not | ||||||||||||||
| totally dependent on the role of the performers. Performer role, character, and emotional development is evident | ||||||||||||||
| but at a basic level with minimal changes. . In order to compete in circuit championships units must attend the 1st or | ||||||||||||||
| 2nd week of competition and at least 3 other competitions. Promotion to Scholastic AAA class will occur if units exceed | ||||||||||||||
| the boundaries of this class. Performance time (minimum 3 minutes, maximum 4 minutes). Time will have to be | ||||||||||||||
| added to performance if promotion occurs Performance time (minimum 4 minutes, maximum 5 ˝ minutes). Scholastic | ||||||||||||||
| Regional A Class units are not recommended to attend any WGI regional or national competition. | ||||||||||||||
| Independent | High | Members do not | This class is designed for units who may not have enough resources from one school to field a unit and are competitive | WGI | ||||||||||
| Regional A | School | necessarily attend | but not quite ready for the demands of the A Class sheets. Equipment and movement will focus on the training and | Regional | ||||||||||
| or above | the same school | achievement of the basic skills. Tosses use a limited variety of release and catch points and typically take place from | A Class | |||||||||||
| and not exceed | a stationary position. Weapons will usually toss no higher than triples. Dimensionality is limited and phrases are often | |||||||||||||
| the age of 22 at | very short (16 to 24 counts) with much built in recovery time. Movement is mostly demonstrated by moving from place | |||||||||||||
| the timeof WGI | to place with a good range of gestural qualities being demonstrated. There is usage of simple turns and leaps from | |||||||||||||
| Championships. | performers occasionally exploring level changes around the body. Performers should demonstrate good examples of | |||||||||||||
| body awareness (posture, line, shape, weight) with very little change in dynamic qualities. Ensemble Analysis will | ||||||||||||||
| display a beginning level of artistic effort that focuses on clear staging of the elements, logical progression of ideas | ||||||||||||||
| (horizontal orchestration) and the basic use of the design elements. The triad is never completely used with the | ||||||||||||||
| elements most often being presented singularly and occasionally presented two at time. | ||||||||||||||
| In General Effect, the concept and intent should be clear, consistent and moderately developed. Ideas should move | ||||||||||||||
| successfully from one to another and the intent of the concept is not totally dependent on the role of the performers. | ||||||||||||||
| Performer role, character, and emotional development is evident but at a basic level with minimal changes. In order to | ||||||||||||||
| compete in circuit championships units must attend the 1st or 2nd week of competition and at least 3 other competitions. | ||||||||||||||
| Promotion to Independent A Class will occur if level of design and/or achievement exceeds the criteria of this class. | ||||||||||||||
| Performance time (minimum 3 minutes, maximum 4 minutes). Time will have to be added to performance if promotion | ||||||||||||||
| occurs (minimum 4, maximum 5 ˝). Independent Regional A class units may not attend any WGI regional or national | ||||||||||||||
| competition. | ||||||||||||||
| Scholastic | High | Members must | This class is designed for a unit that has exceeded the criteria of Regional A, but are not ready either through | WGI | ||||||||||
| AAA | School | attend the same | individual performance or design for the demands of AA, A, Open, or World Class. Equipment and movement will | A Class | ||||||||||
| high school or | still focus on the training and achievement of basic skills but with more variety than the Regional A units. Tosses | |||||||||||||
| must have | will begin to display more variety of release and catch points with weapons usually tossing no higher than quads. | |||||||||||||
| permission letters | There is more exploration of basic dimensionality of equipment and some layering efforts is beginning to occur. | |||||||||||||
| on file from all | Phrase length is primarily short (16 to 24 counts) and recovery time is still apparent. In Movement, range of | |||||||||||||
| principals as per | dynamic qualities is expanding. There is also expanded use of torso and level changes. There is more exploration | |||||||||||||
| WGI policy. | of changes in weight, time, and space, and usage of expressive qualities. Ensemble Analysis shows a program with | |||||||||||||
| skills being demonstrated during the program. There is usage of two elements of the triad simultaneously with | ||||||||||||||
| occasional use of all three. In General Effect, the concept shows use of artistic effort and a variety of methods of | ||||||||||||||
| creating effect are used. Characterization is more developed. In order to compete in circuit championships units | ||||||||||||||
| must attend the 1st or 2nd week of competition and at least 3 other competitions. Promotion to Scholastic AA | ||||||||||||||
| Class will occur if units exceed the boundaries of this class. Performance time (minimum 4 minutes, maximum 5 ˝ | ||||||||||||||
| minutes). Scholastic AAA Class units may attend any WGI regional or national competition if they choose. | ||||||||||||||
| (Understand difference in WGI ability levels for this class) | ||||||||||||||
| Scholastic | High | Members must | This class is designed for a unit that is not ready for the demands of A, Open, or World Class. Equipment and | WGI | ||||||||||
| AA | School | attend the same | movement will still focus on the training and achievement of basic skills but with more variety than the Regional A | A Class | ||||||||||
| high school or | units. Tosses will begin to display more variety of release and catch points with weapons usually tossing no higher | |||||||||||||
| must have | than quads. There is more exploration of basic dimensionality of equipment and some layering efforts are | |||||||||||||
| permission letters | beginning to occur. Phrase length is still primarily short (16 to 24 counts) with occasional longer phrases (24 to 36 | |||||||||||||
| on file from all | counts) and recovery time is still apparent. In Movement, range of dynamic qualities is still expanding. There is | |||||||||||||
| principals as per | also expanded use of torso and level changes. There is more exploration of changes in weight, time, and space, | |||||||||||||
| WGI policy. | and usage of expressive qualities is broadening. Ensemble Analysis shows a more developed program with skills | |||||||||||||
| being demonstrated more frequently during the program. There is increasing usage of two elements of the triad | ||||||||||||||
| simultaneously with occasional use of all three. In General Effect, the concept shows a greater use of artistic | ||||||||||||||
| effort and a variety of methods of creating effect are used. Characterization is more developed and changes in | ||||||||||||||
| the emotional character are beginning to be explored. The concept does place some demand on the performers | ||||||||||||||
| to be fully realized. In order to compete in circuit championships units must attend the 1st or 2nd week of | ||||||||||||||
| competition and at least 2 other competitions. Promotion to Scholastic A Class will occur if units exceed the | ||||||||||||||
| boundaries of this class. Performance time (minimum 4 minutes, maximum 5 ˝ minutes). Scholastic AA Class | ||||||||||||||
| units may attend any WGI regional or national competition if they choose. (Understand difference in WGI ability | ||||||||||||||
| levels for this class) | ||||||||||||||
| Scholastic | High | Members must | This class is designed for a unit that is not ready for the demands of Open, or World Class Guards in this area are | WGI | ||||||||||
| A | School | attend the same | at a level where members and staff have a complete understanding of the basic principles of performance and | A Class | ||||||||||
| high school or | design. Units here may also occasionally explore more intermediate concepts that encourage performers and | |||||||||||||
| must have | designers to broaden their skills. There is moderate rehearsal opportunity and funding to develop this level of | |||||||||||||
| permission letters | competitive program. Units competing in this classification are encouraged to maximize the achievement of the | |||||||||||||
| on file from all | criteria on the A class sheets. In order to compete in circuit championships units must attend the 1st or 2nd week | |||||||||||||
| principals as per | of competition and at least 2 other competitions. Performance time (minimum 4 minutes, maximum 5 ˝ | |||||||||||||
| WGI policy. | minutes). Scholastic A Class units may attend any WGI regional or national competition if they choose and are | |||||||||||||
| encouraged to do so. | ||||||||||||||
| Independent | High | Members do not | This class is designed for competitive independent units that are not ready for the demands of Open or World | WGI | ||||||||||
| A | School | necessarily attend | Class. Guards in this class are at a level where there members may be young or less experienced in their | A Class | ||||||||||
| or above | the same school | equipment and movement skills. In this category, guards will be encouraged to demonstrate skills in movement | ||||||||||||
| and not exceed | and equipment handling on both flag and weapon (s). Designers should present imaginative shows with sound and | |||||||||||||
| the age of 22 at | logical designs setting achievable standards for their performers. In order to compete in circuit championships | |||||||||||||
| the timeof WGI | units must attend the 1st or 2nd week of competition and at least 2 other competitions. Performance time | |||||||||||||
| Championships. | (minimum 4 minutes, maximum 5 ˝ minutes) Independent A Class units may attend any WGI regional or national | |||||||||||||
| competition if they choose and are encouraged to do so. | ||||||||||||||
| Independent | High | Members do not | This class is designed for a highly competitive unit that is too advanced to find competition in the A Class, but is | WGI | ||||||||||
| Open | School | necessarily attend | not ready for the demands of World Class. Guards in this class have a greater experience level. Guards will be | A Class | ||||||||||
| or above | the same school | challenged to broaden their design and performance skills. Designers and instructors will be challenged to | ||||||||||||
| and not exceed | expand their programming, creative, and instructional techniques. In order to compete in circuit | |||||||||||||
| the age of 22 at | championships units must attend the 1st or 2nd week of competition and at least 2 other competitions. . | |||||||||||||
| the timeof WGI | Performance time (minimum 4 minutes, maximum 6 ˝ minutes). Independent Open Class units may attend any | |||||||||||||
| Championships. | WGI regional or national competition if they choose and are encouraged to do so. | |||||||||||||
| Independent | High | Members do not | This class is designed for the most highly developed independent programs. The designation World Class | WGI | ||||||||||
| World | School | necessarily attend | indicates that the unit is competitive on a national level. This is an area where innovation and setting | A Class | ||||||||||
| or above | the same school | standards is the goal. This category is open to a guard with the membership talent, design, and instructional | ||||||||||||
| and there is no | staff and budget to place their performers at the challenging level to stimulate growth and development | |||||||||||||
| age limit. | through World Class competition. In order to compete in circuit championships units must attend the 1st or 2nd | |||||||||||||
| week of competition and at least 2 other competitions. Performance time (minimum 4 minutes, maximum 7 ˝ | ||||||||||||||
| minutes). Independent World Class units should attend any WGI regional and/or national competition. | ||||||||||||||
| Scholastic | High | Members must | This class is designed for a highly competitive unit that is too advanced to find competition in the Scholastic A | WGI | ||||||||||
| Open | School | attend the same | Classes but is not ready for the demands of the Scholastic World Class. Guards in this class have a greater | A Class | ||||||||||
| high school or | experience level. Both staff and performers have the talent to grow beyond the basics, exploring a higher level | |||||||||||||
| must have | of design and performance techniques. There is sufficient rehearsal opportunity and funding to develop this | |||||||||||||
| permission letters | level of competitive program to benefit the students and broaden their performance skills. In order to compete | |||||||||||||
| on file from all | in circuit championships units must attend the 1st or 2nd week of competition and at least 2 other competitions. | |||||||||||||
| principals as per | Performance time (minimum 4 minutes, maximum 6 ˝ minutes). Scholastic Open Class units may attend any | |||||||||||||
| WGI policy. | WGI regional or national competition if they choose and are encouraged to do so. | |||||||||||||
| Scholastic | High | Members must | This class is designed for the most highly developed high school programs. The designation World Class | WGI | ||||||||||
| World | School | attend the same | indicates that the unit is competitive on a national level. This is the most advanced level of scholastic | A Class | ||||||||||
| high school or | competition for guards with student talent, design, staff, rehearsal time, and budget capabilities to produce | |||||||||||||
| must have | challenging and creative programs. Students here will be challenged to expand their technical and | |||||||||||||
| permission letters | performance base to achieve their fullest potential within programs that utilize advanced concepts of design. | |||||||||||||
| on file from all | In order to compete in circuit championships units must attend the 1st or 2nd week of competition and at least 2 | |||||||||||||
| principals as per | other competitions. Performance time (minimum 4 minutes, maximum 7 ˝ minutes). Independent World Class | |||||||||||||
| WGI policy. | units should attend any WGI regional and/or national competition. | |||||||||||||